Category Archives: 2. BRECHT-DRAMA-THEATRE

0. Some Presuppositions; 1. Bakhtinian Dialog and Theatre; 2. On PWs, on Subordinating Communication to Pragmatics, and again on Dialog; 3. The Audience-Stage Dialog as Induction of PWs;

Communications of Int’l Brecht Soc. online edition no. 1, 2017. https://e-cibs.org/issue-1-2017/#suvinstart This overview of DS’s work on Brecht (further BB) was written as Introduction to a collection of my essays translated into Slovene and published in Ljubljana 2016 as Brecht’s … Continue reading →

Part 1 is the translation by D. Suvin of a putative poem by Brecht Das Manifest (The Manifesto) pieced together from his various versions from 1944 on.  Part 2 is a comment article that discusses Brecht’s intention in 1944-45 to … Continue reading →

 Darko Suvin                                                                             … Continue reading →

1. Doubting the Eternal Necessity of Conflict; 2. On Zeami’s mugen nô (Deity Nô) Plays;

1. On Haltung; 2. Approaching Brecht and Agency; 3. Emotions Are Not Split from Cognition; 4. Emotions Intertwining with Haltung as Basis for Acting