Category Archives: 2. BRECHT-DRAMA-THEATRE

THIS IS A DESCENDING CHRONOLOGICAL LIST, FROM 2021 BACKWARDS. REASON: ALL POSITIONS ARE HISTORICAL, AND THEY ARE BEST UNDERSTOOD IN CONNEXION WITH ITS MOMENT. LATER ENTRIES MAY MODIFY EARLIER POSITIONS.

CENTENNIAL POLITICS: ON JAMESON ON BRECHT ON METHOD (1998, 6,990 Words)

Posted on 28 July 1998 by darkosuvin

O great academics! Still, let’s search more diligently and not despair.           Augustine of Hippo The highest thing would be to understand that all phenomena are already theory.           Goethe Brecht can be supremely useful to us–people engaged in thinking … Continue reading →

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ON THE EPISTEMOLOGY AND PRAGMATICS OF INTERCULTURAL THEATRE STUDIES: WITH BROOK’S “MAHABHARATA” AS NEGATIVE EXEMPLUM (1997-98, 11,640 words)

Posted on 15 April 1998 by darkosuvin

1. Syntactic Considerations; 2. Epistemic Considerations: Monadic Truth vs. Caressing; 3. Interculturalism I: The Mythical Estrangement of Brook’s “Mahabharata” exemplum; 4. Interculturalism II: Critical Estrangement, the Body

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DEITY VS. WARRIOR Nô PLAYS: REVELATION, NOT CONFLICT (1996, 9,340 words)

Posted on 20 May 1996 by darkosuvin

Darko Suvin                                                                             … Continue reading →

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REVELATION VS. CONFLICT: DEITY VS. WARRIOR Nô PLAYS AND COMPARATIVE DRAMATURGY (1994, 16,200 words)

Posted on 30 September 1994 by darkosuvin
Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY, 5. EAST ASIA | Leave a comment

THE USE-VALUE OF DYING: MAGICAL VS. COGNITIVE UTOPIAN DESIRE IN THE”LEARNING PLAYS” OF PSEUDO-ZENCHIKU, WALEY, AND BRECHT (1991, 19,350 words)

Posted on 27 April 1993 by darkosuvin
Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY, 5. EAST ASIA | Leave a comment

[REVIEW ARTICLE] NO-THEATER: SZENE UND DRAMATURGIE, VOLKS- UND VÖLKERKUNDLICHE HINTERGRUNDE (1991)

Posted on 13 August 1991 by darkosuvin
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BRECHT’S “LIFE OF GALILEO”: SCIENTISTIC EXTRAPOLATION OR ANALOGY OF THE KNOWER? (1988-90, 11,370 words) [from book DARKO SUVIN: A LIFE IN LETTERS]

Posted on 9 September 1990 by darkosuvin
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WEISS’S MARAT/SADE AN ITS THREE MAIN PERFORMANCE VERSIONS (1986-88, 12,400 words)

Posted on 29 August 1988 by darkosuvin
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APPROACH TO TOPOANALYSIS AND TO THE PARADIGMATICS OF DRAMATURGIC SPACE (1988, 10,800 words)

Posted on 29 May 1988 by darkosuvin
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ON DRAMATURGIC AGENTS AND KRLEŽA’S AGENTIAL STRUCTURE: THE TYPES AS A KEY LEVEL (1984, 7.900 words)

Posted on 30 August 1984 by darkosuvin
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