Author Archives: darkosuvin

DISPUTING THE DELUGE (2022, 184,645 words)

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ON FAKE (DEATH-DEALING) VS. TRUE (LIFE-AFFIRMING) NOVUMS (2021, 2,500 words)

Abstract: Overview of novum; we need radically liberating novums only; differentiations withinthe novum – graph and comment;

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A LITTLE LIBERATORY INTRODUCTION TO TALKING ABOUT KNOWLEDGE (2021, 4,400 words)

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WORDS, SHAPES, AND OUR COMMON WORLD (2021, 5,550 words)

Introduction to my book Disputing the Deluge, ed. Hugh C. O’Connell, Bloomsbury Academic. A somewhat autobiographically inclined introduction to a new book of articles and poems 2001-21 is divided into: 1. Words Shaping the World, dealing with art as freedom … Continue reading

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CAPITALOCENE, CORONISATION, SURVEILLANCE SOCIETY: THREE HYPOTHESES ABOUT TRUE VS. FALSE NAMES (2021, 2080 words)

Paper for the IIPPE conference 2021, 2,080 words

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SPLENDOURS, MISERIES, AND POTENTIALITIES OF SOCIALIST YUGOSLAVIA: THE BERLIN THESES (2014-22, main part 6000 words)

14 Theses on, plus a Chronology of, SFR Yugoslavia provide an overview for approaching my book Splendour, Miseries and potentialities of socialist yugostavia: The Berlin Theses ALSO IN http://www.olioofficina.it/corso-italia-7/splendours-miseries-and-potentialities-of-socialist-yugoslavia-the-berlin-theses-1.htm, 2015

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IT AIN’T NECESSARILY SO (2020, 5,000 words)

Introduction to my book Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, ed. Eric D. Smith, 2 Vols., P. Lang, Oxford 2021. Abstract: A somewhat autobiographically inclined introduction to a new book of articles and … Continue reading

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ON UNDERSTANDING OUR NEEDY WORLD THROUGH SCIENCE FICTION AND UTOPIA/NISM (2021, 10,830 words)

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On this page there’ll be found my most recent articles from all “Categories”. For Translations, Videos, Biogr. info, Poetry and Short Prose — see those sections.

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FOR A THEORY OF THEATRE: THE PERFORMANCE TEXT AS AUDIENCE-STAGE DIALOG INDUCING A POSSIBLE WORLD (1985 & 2021, 8,700 words)

0. Some Presuppositions; 1. Bakhtinian Dialog and Theatre; 2. On PWs, on Subordinating Communication to Pragmatics, and again on Dialog; 3. The Audience-Stage Dialog as Induction of PWs;

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