Category Archives: 2. BRECHT-DRAMA-THEATRE

0. Some Presuppositions; 1. Bakhtinian Dialog and Theatre; 2. On PWs, on Subordinating Communication to Pragmatics, and again on Dialog; 3. The Audience-Stage Dialog as Induction of PWs;

Communications of Int’l Brecht Soc. online edition no. 1, 2017. https://e-cibs.org/issue-1-2017/#suvinstart This overview of DS’s work on Brecht (further BB) was written as Introduction to a collection of my essays translated into Slovene and published in Ljubljana 2016 as Brecht’s … Continue reading →

Part 1 is the translation by D. Suvin of a putative poem by Brecht Das Manifest (The Manifesto) pieced together from his various versions from 1944 on.  Part 2 is a comment article that discusses Brecht’s intention in 1944-45 to … Continue reading →

 Darko Suvin                                                                             … Continue reading →

1. Doubting the Eternal Necessity of Conflict; 2. On Zeami’s mugen nô (Deity Nô) Plays;

1. On Haltung; 2. Approaching Brecht and Agency; 3. Emotions Are Not Split from Cognition; 4. Emotions Intertwining with Haltung as Basis for Acting

O great academics! Still, let’s search more diligently and not despair.           Augustine of Hippo The highest thing would be to understand that all phenomena are already theory.           Goethe Brecht can be supremely useful to us–people engaged in thinking … Continue reading →