— To the memory of Franco Fortini, a great poet and critic of my times

and for my landsmann Sezgin Boynik, who revived my interest in the Formalists

[…] doubt wisely; in strange way

To stand inquiring right, is not to stray;

To sleep, or run wrong, is….

John Donne

We have to live now amidst and with crass defeat, in a kalpa when dominant meanings of socialism and communism have suffered an epochal, though not necessarily irreversible, death: it follows, to upgrade Dostoevsky, that if God and Communism are dead, everything is permitted. It is therefore high time to consider more fully the complex and sensitive matter of how life can (and necessarily must) live in feedback with death. I shall start my consideration with the use in Jewish and Christian traditions of the term and image of a stumbling stone or rock, continue with matters of estrangement, and finish in Death vs. Eros.

  1. The Monotheistic Denunciation of Disbelief: Stumbling into a Trap
  2. Thiswordly Salvation through Estranged Perception

2.1. Values and Religiosity

2.2. Shklovsky‘s Stumbling to Refocus, or Poetry Is What Makes the Stone Stony

  1. Brecht: The Estrangement Effect Is Most Intimately Political (Critical or Mythical)

3.0. Context

3.1. Textual Syntax and Reference

3.2. The Potent (and Bipolar) Estrangement

  1. Brecht and the Stone – Stumbling or Other
  2. A Parthian Shot: On Death and Creative Eros

Alas, death has been a blind spot in canonic Marxism.

Marvell, To My Coy Mistress




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