Category Archives: 2. BRECHT-DRAMA-THEATRE

THIS IS A DESCENDING CHRONOLOGICAL LIST, FROM 2021 BACKWARDS. REASON: ALL POSITIONS ARE HISTORICAL, AND THEY ARE BEST UNDERSTOOD IN CONNEXION WITH ITS MOMENT. LATER ENTRIES MAY MODIFY EARLIER POSITIONS.

REFLECTIONS ON HAPPENINGS + APPENDIX: HAPPENINGS: AN EXCHANGE BETWEEN LEE BAXANDALL AND DARKO SUVIN (1970, 13,200 words)

Posted in 2. BRECHT-DRAMA-THEATRE | Leave a comment

POLITICS, PERFORMANCE AND THE ORGANISATIONAL MEDIATION: THE PARIS COMMUNE THEATRE LAW (1969, 10,350 words)

Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY | Leave a comment

BECKETT’S PURGATORY OF THE INDIVIDUAL, OR THE THREE LAWS OF THERMODYNAMICS (1967, 7,250 words)

Posted in 2. BRECHT-DRAMA-THEATRE | Leave a comment

MARCHING THRU’ THE BB MOUNTAIN RANGE (1967)

Posted in 2. BRECHT-DRAMA-THEATRE | Leave a comment

THE MIRROR AND THE DYNAMO: ON BRECHT’S AESTHETIC POINT OF VIEW (1967, 7,300 words)

Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY | Leave a comment

LA VISION DES DRAMES EXPRESSIONNISTES DE M. KRLEZA ET LA CONSCIENCE PLEBEIENNE CROATE (UNE NAVIGATION AILEE DU COTE DES ETOILES) (1964, 13,100 words)

“La vision des drames expressionnistes de M. Krleža et la conscience plébéienne croate (Une navigation ailée du côté des étoiles)”, in Most/The Bridge/Le pont/El puente/Мост. Zagreb:  Društvo književnika Hrvatske, 1982, n° 1-2, pp. 25-45. www.ceeol.com/search/article-detail?id=179385 [ed. with cuts DS]

Posted in 2. BRECHT-DRAMA-THEATRE, 4. SFR YUGOSLAVIA | Tagged , | Leave a comment