Category Archives: 6. NARRATIVE THEORY
ORWELL AND 1984 TODAY: GENIUS AND TUNNEL VISION (2019, 14,500 words)
Orwell, as he himself said, came from a lower, professional service fraction of the English and imperial ruling class that was “simultaneously dominator and dominated” (R. Williams), so that a combination of State and monopoly power became his major nightmare. … Continue reading
“EXCELSIOR,” OR ON THE HORIZONS OF PARODY: SYNCHRONIC AIM AND REFERENCE (2012, 6,000 words)
Darko Suvin … Continue reading
TO LAPUTA AND BACK (2003-04, 9,840 words)
The article is divided into three parts. Part 1, Entering Laputa in the Winter of Our Discontent, deals with general presuppositions, including those on intellectuals in Post-Fordism and as members of de facto English Departments. Part 2, Visiting the Word-Machine, … Continue reading
ROMANCE STUDIES IN GERMANY AND WERNER KRAUSS (2002, 7,300 words)
The relations of Romance Studies and Nazism are discussed on the basis of new publications. The second part discusses the career of Werner Krauss, an unjustly neglected scholar.
AGAINST ORIGINALS: HONKADORI AND THE HORIZONS OF PASTICHE (1993-97, 8,220 words)
A Preliminary Reflection on Pastiche (As Well As Parody); On Japanese honkadori as Catalysis; Some Conclusions: On Originality
THE SCIENCE-FICTION NOVEL AS EPIC NARRATION: FOR A FUSION OF ‘FORMAL’ AND ‘SOCIOLOGICAL’ ANALYSIS (1980-1985, 5,530 words)
D. Suvin, Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, 2 Vols. Ed. Eric D. Smith. Oxford: P. Lang, 2021.ch19
SCIENCE FICTION: METAPHOR, PARABLE, AND CHRONOTOPE (WITH THE BAD CONSCIENCE OF REAGANISM) (1984, 12,120 words)
D. Suvin, Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, 2 Vols. Ed. Eric D. Smith. Oxford: P. Lang, 2021.ch22
LUKÁCS: HORIZONS AND IMPLICATIONS OF THE “TYPICAL CHARACTER” (1986, 12,700 words)
A reconsideration of Lukàcs on agents (type) in literature as an instance of his horizons. Sections. On Narrative Agents,The Two Overviews of the Novel, Balzac and French Realism, Lukács’s Teleology, An Assessment.
THE COGNITIVE COMMODITY: FICTIONAL DISCOURSE AS NOVELTY AND CIRCULATION (1986, 7,150 words)
Anthropology of creativity in capitalism on the traces of Marx and Benjamin. Fashion, market, sensationalism; the press, selling writing, novelty in detail and repetition of type; gambling, financial speculaion, the sanctified commodity (Brecht)