Category Archives: 5. EAST ASIA
WORDS AND LESIONS (2018, 16,800 words)
Abstract: The essay is divided into 2 parts. Part 1, For a Rectification of “Violence”, discusses within a “political epistemology of inflicted lesion” first the denotation and yardsticks of violence, then systemic or “structural” violence, and finally argues for counter-violence … Continue reading
SATOH’S DANCE OF ANGELS AS A DRAMATURGICAL DISCOURSE SEEKING AND DOUBTING THE YOUNG GENERATION’S REVOLUTION (2018, 10,350 words)
Published, perhaps with some more illos, in in Imaginations: J of Cross-Cultural Image Studies, Dec. 20, 12.2 (2021): 343–80, http://10.17742/IMAGE.MM.12.2.17 Part 1 analyses how the Black Tent Theatre (BTT) played Satoh’s Dance of Angels in 1970-71 on the basis of … Continue reading
AGAINST ORIGINALS: HONKADORI AND THE HORIZONS OF PASTICHE (1993-97, 8,220 words)
A Preliminary Reflection on Pastiche (As Well As Parody); On Japanese honkadori as Catalysis; Some Conclusions: On Originality
THE SOUL AND THE SENSE: MEDITATIONS ON ROLAND BARTHES ON JAPAN (A PROPOS OF THE EMPIRE OF SIGNS) (1990-96, 16,200 words)
Darko Suvin (1990-96, 16,200 words) … Continue reading
VISIONS OFF YAMADA (poem, 1988)
D. Suvin, Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, 2 Vols. Ed. Eric D. Smith. Oxford: P. Lang, 2021.
UTOPIA IN THE ASIAN EIGHTIES: FIVE SONGLETS (1983-89, 800 words)
D. Suvin, Parables of Freedom and Narrative Logics: Positions and Presuppositions in Science Fiction and Utopianism, 2 Vols. Ed. Eric D. Smith. Oxford: P. Lang, 2021.ch25