Category Archives: 2. BRECHT-DRAMA-THEATRE

THIS IS A DESCENDING CHRONOLOGICAL LIST, FROM 2021 BACKWARDS. REASON: ALL POSITIONS ARE HISTORICAL, AND THEY ARE BEST UNDERSTOOD IN CONNEXION WITH ITS MOMENT. LATER ENTRIES MAY MODIFY EARLIER POSITIONS.

ON THE EPISTEMOLOGY AND PRAGMATICS OF INTERCULTURAL THEATRE STUDIES: WITH BROOK’S “MAHABHARATA” AS NEGATIVE EXEMPLUM (1997-98, 11,640 words)

Posted on 15 April 1998 by darkosuvin

1. Syntactic Considerations; 2. Epistemic Considerations: Monadic Truth vs. Caressing; 3. Interculturalism I: The Mythical Estrangement of Brook’s “Mahabharata” exemplum; 4. Interculturalism II: Critical Estrangement, the Body

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ON THE EPISTEMOLOGY AND PRAGMATICS OF INTERCULTURAL THEATRE STUDIES (1997, 11,600 words)

Posted on 23 May 1997 by darkosuvin

Darko Suvin                                                   (1997, 11,600 words) */This essay was published in Darko Suvin: A Life in … Continue reading →

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DEITY VS. WARRIOR Nô PLAYS: REVELATION, NOT CONFLICT (1996, 9,340 words)

Posted on 20 May 1996 by darkosuvin

Darko Suvin                                                                             … Continue reading →

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REVELATION VS. CONFLICT: DEITY VS. WARRIOR Nô PLAYS AND COMPARATIVE DRAMATURGY (1994, 16,200 words)

Posted on 30 September 1994 by darkosuvin
Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY, 5. EAST ASIA | Leave a comment

THE USE-VALUE OF DYING: MAGICAL VS. COGNITIVE UTOPIAN DESIRE IN THE”LEARNING PLAYS” OF PSEUDO-ZENCHIKU, WALEY, AND BRECHT (1991, 19,350 words)

Posted on 27 April 1993 by darkosuvin
Posted in 2. BRECHT-DRAMA-THEATRE, 3. POLITICAL EPISTEMOLOGY, 5. EAST ASIA | Leave a comment

[REVIEW ARTICLE] NO-THEATER: SZENE UND DRAMATURGIE, VOLKS- UND VÖLKERKUNDLICHE HINTERGRUNDE (1991)

Posted on 13 August 1991 by darkosuvin
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BRECHT’S “LIFE OF GALILEO”: SCIENTISTIC EXTRAPOLATION OR ANALOGY OF THE KNOWER? (1988-90, 11,370 words) [from book DARKO SUVIN: A LIFE IN LETTERS]

Posted on 9 September 1990 by darkosuvin
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WEISS’S MARAT/SADE AN ITS THREE MAIN PERFORMANCE VERSIONS (1986-88, 12,400 words)

Posted on 29 August 1988 by darkosuvin
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APPROACH TO TOPOANALYSIS AND TO THE PARADIGMATICS OF DRAMATURGIC SPACE (1988, 10,800 words)

Posted on 29 May 1988 by darkosuvin
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ON DRAMATURGIC AGENTS AND KRLEŽA’S AGENTIAL STRUCTURE: THE TYPES AS A KEY LEVEL (1984, 7.900 words)

Posted on 30 August 1984 by darkosuvin
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